Showing posts with label Deborah Wiles. Show all posts
Showing posts with label Deborah Wiles. Show all posts

Sunday, July 20, 2014

Revolution by Deborah Wiles

People don’t believe me when I tell them that much of what I have learned about history was from fiction. But let’s be clear - I’m talking about well-researched, factually based, historical fiction. Of course, one must carefully filter the fact from the fiction and do additional research where the separation is difficult, but fiction generally engages this reader more than nonfiction, so I’ll take the lessons where they come.

I could (and should) thank many authors, but here’s a heartfelt thank you specifically for Deborah Wiles for the lessons she’s taught me. First it was the Cuban Missile Crisis in Countdown. Now it’s Mississippi in 1964 - Freedom Summer - in her second of three documentary novels, Revolution.

Revolution takes place in Greenwood, Mississippi. Depending on who you ask, the summer of 1964 was when the invaders came from the north or it was Freedom Summer when volunteers worked diligently to help African-American residents to register to vote.

Sunny is caught in the middle of the disagreement. Her grandmother holds strongly to segregation. Her father runs a grocery store that welcomes and employs numerous African-Americans. Her stepmother sees inequality and injustice. But historical fiction would be, well, nonfiction if it didn’t include some fiction. Sunny also struggles with relationships within her new family. Should she trust and respect her stepmother? What about Gillette, her new stepbrother? How does the extended family accept the new family additions, and what factors in the family’s past affect that acceptance?

Again, like in Countdown, scattered throughout the novel are bits of image-dominated nonfiction. Photographs, pamphlets, song lyrics, newspaper excerpts, and signs are found throughout, usually in 5-10 page chunks every few chapters. Some are meant to specifically support the story such as images of volunteers working with unregistered African-Americans, Freedom Schools, and protesters being arrested. Other nonfiction parts help readers understand more about the time in history like “Whites Only” segregation signs, the Beatles, and soldiers in Vietnam.

There’s much to learn about our country from these three months in Greenwood, Mississippi, but know that the most powerful lessons from Revolution come from Sunny. As she wrestles with the changes happening in her family and her world, so do readers. And both come out changed at the end of Freedom Summer.

Saturday, June 12, 2010

Countdown by Deborah Wiles

It is Friday, October 19, 1962.  Eleven-year-old Franny wonders why her teacher skips her during read aloud time.  She wonders why Jimmy, who picks his nose at recess, gets selected to read instead of her.  She wonders which friends to join at recess after forgetting her latest Nancy Drew.

Then the air-raid siren goes off.  Her wonderings become one certainty: We are all about to die.

Countdown takes place over the next twelve days, during the Cuban Missile Crisis.  Author Deborah Wiles does a great job of showing the fear that permeated society at the time.  There’s news broadcasts and President Kennedy’s address to the nation and duck and cover drills.  The fear is heightened for Franny – and readers – because of her family’s military connections.

Along with societal fears, there are normal coming-of-age issues as well.  Why does her younger brother get her father’s attention and a promise of playing ball in the yard?  Why is her sister allowed to close her bedroom door?  Why is her best friend acting that way?  And what about that new/old boy across the street?

Countdown is billed as a “documentary novel” with nonfiction interspersed within the narrative.  Many of the nonfiction bits relate directly to the story, items like a fallout shelter handbook, news quotes, Bert the Turtle, mushroom clouds, and photos of Fidel Castro, Presidents Kennedy and Truman, and even Nancy Drew.  But some seem present only in an attempt to flesh out the time period.  There are pictures of James Bond, Cassius Clay, Sandy Koufax, and Lucy and Ricky.

I found Countdown fascinating, but I’m hesitant about how the documentary novel idea will translate to younger readers.  If I’m one of today’s 11-year-olds, I’m looking at the picture of Peter, Paul, and Mary with the words “what a wonderful world this would be” and thinking, who’re these guys?  I’d have no clue of the significance of Richard Nixon saying, “You won’t have Nixon to kick around any more” in 1963.  I’d be wondering why there’s a picture of Rocky and Bullwinkle (who?) with a news item about Kennedy and Khrushchev establishing a direct telecommunications line between Washington and Moscow.

Actually, I’m wondering about that one as it is.

It’s obvious that Deborah Wiles has put incredible amounts of time into Countdown, the first of three companion novels, and there are plenty of signs of what’s to come.  Many of the nonfiction parts reference the Civil Rights movement, a possible indication of how Franny’s older sister plans to make the world a better place.  I am amazed at the detail, the wide range of cultural references, and the novel’s uniqueness.  I recommend it, hesitantly, believing that grown-up readers of children’s literature will like it more than the children.